Monthly Archives: October 2017

Reviving the Muse

“Tradition is a succession of successful innovations.” – Pier Carlo Bontempi

Who is Bontempi? He is a contemporary architect, like Léon Krier, Quinlan and Francis Terry, Alan Greenberg et al who cultivate new traditional building, based upon older styles and methods.

https://en.wikipedia.org/wiki/Pier_Carlo_Bontempi

http://interactive.wttw.com/bontempi/video

Everywhere, new architecture which revives older styles is bubbling-up: in America and England of course (since it has never entirely disappeared there), in Poland, Germany, Hungary, Italy, Ireland.

Intention, expression, aesthetics

As music is intentionally a kind of language, meant to share a musical vision (even the most abstract works like some Renaissance polyphony or fugues by J.S. Bach), a vision which is meant to be experienced emotionally, the performance context is defined by expectations of listening where communication is at the centre. We know that the means through which musical communication travels, is tonality, i.e. the interrelated system whereby individual notes derive their meaning from the location in the tonal network, forming a whole with different layers of coherence. With sonic art, i.e. atonal modernism, it is the level of pure sound and its ordering which forms the communication: ‘the medium is the message’. Although the sonic surface may be structured in an aesthetic way, as to create an aesthetic impression, this impression differs from the communication which forms the heart of the art of music.