Monthly Archives: May 2015

Receptive frameworks

“We are amazed and exhilarated by Beethoven’s formal achievements – like the first movement of the Eroica – because the material which they organize lives separately in us. Le Marteau sans Maitre gives no comparable experience, since it contains no recognizable material – no units of significance that can live outside the work that produces them. (Could there be an arrangement of Le Marteau sans Maitre for solo piano? A free improvisation for jazz combo? A set of variations for string quartet? A fragment whistled in the street?)”