Monthly Archives: March 2015
Music is a complete representation of a state of mind.
We know the heart of our civilization through music in a way we cannot easily know through anything else. We communicate not just with other people, but with other generations. Like Bach’s St Matthew Passion. The fact that such things exist makes available to us a vision of the world that is not only superior to ours, but has an awful lot to teach us about what we could be.
Two quotes from texts by the British philosopher and aesthetician and musicologist Roger Scruton, that have to be read metaphorically, he does not want us to become like 18C Leipzigers. Classical music as an inspirational, aspirational and transcendent vision requires from both musicians and audiences a serious state of mind and receptiveness which is harder to acquire in our technologically-saturated times than in a time, when life was much slower, calmer and quieter. In comparison with the bordering-on-the-insane ‘celebration of modern life’ of Elliott Carter, the bland, obsessive mindlessness of Philip Glass or the puerile fake sixties-rebelliousness of Louis Andriessen, it is the seriousness of the music of David Matthews or Nicolas Bacri on which any hope for a future of classical music rests.