Monthly Archives: November 2013

Music and structure


The other day, a neurobiologist (who had recently published a book, doing away with the ‘romantic notion’ of ‘personality’ and ‘soul’), accused me of being merely a bag of neurons. ‘Speak for yourself’, I reacted, since her happy smile betrayed her accusation to be perfectly referring to herself, and went out for a walk to the stables.

Why are there so many people around with the burning wish to put the fluent, immaterial aspects of life down to physical phenomenae? As we know, the radio set is for the programme, not the other way around, and understanding the working of the human brain does not reveal anything worth knowing about the personality using this organ to interact with the world. Why are there so many musicologists, music theorists, composers, music aestheticians, pursuing the goal of explaining music in rational, scientific terms?

Where is art for?


After the storms of 20th century developments in the arts, provoked by changes in society, wars and their aftermath, increasing industrialization and technological advance, and overviewing the multifarious cultural field today in the Western world, it may be appropriate to return to the fundamental question concerning the raison d’ĂȘtre of the arts: where are they for?

In spite of the complex cultural situation of today (which can only be fully understood after having become the past to future generations), the answer may be short and simple: the arts are there to make the world a better place, and in this sense ‘improving’ it.